Practically every show on the air with any type of political bent features a villain who’s a Republican or some type of “right-winger.”
Despite an abundance of left-wing villainous inspirations to pull from both recent and past, the bad guy is always on the right.
Now, Hollywood is literally rewriting history and propagating it as fact.
In the FX series “Snowfall,” the creators of the show, without any factual basis, have essentially made it canon that the CIA filtered crack into black neighborhoods to fund the Contra army in the 1980s.
As much as liberals say they despise “fake news,” some of the most powerful and notorious sources of fake news in America are the leftists in Hollywood. Their “based on a real story” manglings and stranglings of history are legendary, from Oliver Stone on down.
The latest example is a new TV series that debuted July 5 on the FX cable channel called “Snowfall,” which is supposedly a look at the early days of the crack cocaine epidemic in Los Angeles during the Reagan years. This “history” is based on the loony conspiracy theory that the epidemic devouring black communities was a CIA plot to fund the Nicaraguan Contra fighters. How many times must bunk be debunked? The CIA and Congress investigated these claims for years and found that while a couple of Nicaraguan exiles were dealing drugs in Los Angeles, they weren’t associated with the CIA. There was no master plan of crack-fueled genocide.
This isn’t the first time Hollywood has pushed this fake news. In 2014, NBCUniversal-owned Focus Features released a movie called “Kill the Messenger,” which glamorized Gary Webb, a radical-left reporter for the Mercury News in San Jose, California, who spread this fiction far and wide in a 1996 series of articles called “Dark Alliance.” As for the movie’s title, in real life, Webb committed suicide in 2004 because he had no journalistic reputation left. That didn’t stop Hollywood. Of course, America, on the other hand, showed good taste. The movie reportedly grossed only $2.4 million — a complete flop.
So, here we go again with FX — a network owned by that demonized right-wing Murdoch family. The “Snowfall” plot focuses on a sleazy white CIA agent named Teddy McDonald who is acting on indirect orders from then-President Ronald Reagan’s administration to use cocaine profits to fund arms for the Contras, which creates a crack kingpin in the process.
Washington Post TV critic Hank Stuever called out the FX producers for fakery, even as he professed he loved the series as entertainment. It “could most use a disclaimer or some sort of helpful caution that you should view the series entirely as a work of fiction,” he says.
Stuever noted that the Washington Post, The New York Times and the Los Angeles Times all poked huge holes in the “Dark Alliance” claims. These liberal papers would have enjoyed this horror story being true — but even for them, this was a bridge too far.
Dave Andron, who created this series with “Boyz N the Hood” director John Singleton and Eric Amadio, isn’t going to listen to the talk of disclaimers and fiction. He declared: “It was a very conscious choice to start in South Central before crack landed. … why was it allowed — if you wanna use that word — to continue, like why did it blow up, why was it so unchecked, why were the laws against crack cocaine so much more strict than powder cocaine?”
They’re talking about this show like it’s almost a documentary. That’s the way they want this program to affect the viewers, to build a tinfoil-hat army driven by racial paranoia. It neatly matches the way the left wants to organize a “Resistance” on the notion that President Trump and his supporters are all viciously racist, sexist, Islamophobic, et cetera, et cetera.
It’s important to expose fake news. It’s also important to expose fake Hollywood.
The co-creator of the show asked why there was a discrepancy in sentencing between crack cocaine and powder cocaine.
The answer is quite simple: crack is more potent and addictive, and Black leadership in government actually pushed for harsher punishment for crack because they were distressed at how it was affecting their communities. New York Times articles from the ‘80s go into detail on the issue.
It should also be noted the sentencing guidelines for crack and meth (predominantly used by white people) are the same.
The show also focuses on rampant racism and marginalization of minorities during the Reagan era.
However, conservative writer and radio host Larry Elder looked at Census Bureau data to challenge the veracity of those repeated claims:
The economic lot for blacks and Hispanics improved far more than it did for whites after Reagan’s steep tax cuts. In late 1982, Reagan’s second year in office, the unemployment rate for blacks was 20.4 percent. By 1989, his last year, the black unemployment rate had fallen to 11.4 percent — a 9 percent drop. In late 1982, the unemployment rate for Hispanics was 15.3 percent. By 1989, it had fallen to 8 percent — a drop of over 7 percentage points. White unemployment, by contrast, fell “only” 4 percentage points.
What about black-owned businesses? In 1982, according to the Census Bureau, there were 308,000 black-owned businesses. By 1987, the number had increased to 424,000, up 38 percent. The number of all U.S. businesses was up “only” 14 percent. Receipts for black-owned businesses went from less than $10 billion to nearly $20 billion — a 100 percent increase.
The chances of “Snowfall” grappling with these facts during the season are about as likely as a snowball’s chance on an L.A. summer day.